America's rage-sickness trickles down from the top
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Contemporary media research draws on multiple theoretical perspectives and methodological approaches. and offer excellent broad overviews. and present mainstream canonical views of key early works in the field. provides an important critical reassessment of this canonical narrative, while critiques the effacement of female scholars from accounts of the discipline’s history. synthesizes several revisionist histories of mass communications research, producing the most developed rethinking of the field to date. delivers an erudite and wide-ranging attempt to update social theories of media for the digital era.
I chose not to jump into the media frenzy and defend myself, though I was begged to be on every single TV show in existence. I didn't want to contribute to these fameseeking journalists and opportunists looking to fill their churches or to get elected because of their self-righteous finger-pointing. They want to blame entertainment? Isn't religion the first real entertainment? People dress up in costumes, sing songs and dedicate themselves in eternal fandom. Everyone will agree that nothing was more entertaining than Clinton shooting off his prick and then his bombs in true political form. And the news – that's obvious. So is entertainment to blame? I'd like media commentators to ask themselves, because their coverage of the event was some of the most gruesome entertainment any of us have seen. I think that the National Rifle Association is far too powerful to take on, so most people choose Doom, The Basketball Diaries or yours truly. This kind of controversy does not help me sell records or tickets, and I wouldn't want it to. I'm a controversial artist, one who dares to have an opinion and bothers to create music and videos that challenge people's ideas in a world that is watered-down and hollow. In my work I examine the America we live in, and I've always tried to show people that the devil we blame our atrocities on is really just each one of us. So don't expect the end of the world to come one day out of the blue – it's been happening every day for a long time.
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FRAMING MEDIA, SOCIETY, AND CRIMINOLOGY
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Importantly, media studies of violence and aggression of a sexual or nonsexual nature have been able to differentiate among media consumers. These studies have also been able to examine the indirect effects of media in relation to the reciprocal roles of other contributing factors. In arguing for an “indirect-effects” model of hypothesized environmental influences on the development of antisocial behavior against women, Neil Malamuth (1989:162) summarized the work that he and his colleagues had conducted on sexually violent media, thought patterns, and antisocial behavior as, “no influence works in a vacuum, and media influences are viewed as combining and interacting with a variety of other individual and cultural factors—sometimes counteracting them, sometimes reinforcing them, and at other times, not having much of any effect.” More specifically, the indirect-effects model or reciprocal theory of mediatized sexual violence may be thought of as follows:
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Since the inception of mass mediatized words and images, concerns have been selectively raised over real and imagined effects of deviant or taboo behaviors, especially as these have been associated with graphic or explicit depictions of sex, interpersonal violence, and other “morally” transgressive behaviors involved in both crime and crime control. The restricted question has always been: Do the various mass media and mediatized representations of these behaviors elicit fear or imitation from their audiences? Is there a direct effect, an indirect effect, no effect, or perhaps all three? Despite an abundance of research studies in the laboratory and in the field examining the effects of televised violence, sexual and nonsexual, on aggressive and non-aggressive behavior, which tend to support the third possibility of both mixed and contradictory effects at the same time, most, if not all, of these studies are subject to a number of criticisms regarding the validity and appropriateness of the theories and methods, and in many instances, the moral politics that have traditionally underpinned the direct effects model of mediated research.
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As the indirect-effects model of mediatized sexual violence underscores, the direct-effects model of crime and crime control is simply too simplistic for serious consideration. On the other hand, the indirect-effects model of mass media effects leaves the door wide open for exploring the reciprocal relations between media and crime.